The Comic Process, Part I: The Thumbnail

Alright, so by now you're well aware that I have a weekly (heh, supposedly) webcomic, Strawberry Syrup. Here's how I come up with each page.

First up: the Thumbnail.

A thumbnail is basically a very quick sketch meant to help me figure out what elements I want on the page and where to put them. By 'very quick,' I mean no time spent on detail. Here's the thumbnail for Page 20 of Chapter 4:

As you can see, very quick, very sketchy, and not exactly an architectural blueprint here. There are three key things I need out of my thumbnails. 1) Where are the panels going? 2) Who's in each panel and what position are they in? 3) Where are the speech bubbles going? It doesn't take a whole lot of detail for me to tell any of those things, especially when most characters have some identifying characteristic. Dwayne's got his big ol' wizard's hat, Sammy's got glasses, Ferdy's got his cape... Not real hard to tell them apart.

Now, here's the important part: the thumbnail can change. They're not set in stone, and I'm allowed to change them, as you will see in Part II. By sketching it out nice and fast, I can see how it does or doesn't work, how another panel arrangement might work better, and what content might work better in each panel. If I weren't lazy or on a weekly schedule, I'd probably sketch out those variations, too, and pick which one looks best.

As it is, I thumbnail once, then wing it. Do not follow Kit's example there, kids. Ideally, you'll have each chapter thumbnailed well in advance. Trust me, it's easier that way.